When Mike Bush was 12, all knees and soft eyes, he won a scholarship to attend youth classes at The School of the Art Institute of Chicago. It was the summer of 1968, hot and angry and hopeful, and while it would end with young anti-war protesters getting beaten with billy clubs by Chicago Police at the Democratic National Convention downtown, it began with Mike, a young Black aspiring artist from the Wild Hundreds by way of Memphis, slinging his bag of paper and pencils over his shoulder and stepping out into the sun. “105th and Moore, to 111th and Michigan. Thirty-four [bus] from Michigan to 95th, 95th to Adams and Wabash,” Mike recites to me 53 years later. From there, he’d walk one block
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