As for the excitement, that takes a while to arrive. But once writer Danny Brocklehurst (Fool Me Once, Brassic) has assembled his key ingredients of disillusionment and extramarital flirtation, he does eventually bring the mixture to the boil, with Beth and Tom stealing away every five minutes to hook up. It’s the flip side of Dr Seuss’s Green Eggs and Ham: they’d do it in a car, they’d do it in a lake, in any kind of weather and against a kitchen dresser.
Which makes Adultery sound considerably more vigorous than it really is. On the plus side, it’s refreshing to see a primetime ITV1 drama that doesn’t feel the need to litter the screen with dead bodies and crime-scene tape. Yet this exploration of infidelity, set in the North West, still feels overly familiar.
Not really, though the contemporary setting offers some opportunity to explore our culture of omnipresent surveillance, such as the tracking apps that monitor our movements and the cloud services that preserve our images like digital flies in amber. Deceit, it seems, is far more difficult when our lives are tagged by tech.
Beth, at least, has genuine emotional weight. Her energies have been sapped by mortgage payments and parenting crises, leaving her without the zest for life she once possessed. So, the death of her best friend hits like a thunderclap, the grief prompting her to escape a marriage that’s grown stagnant.
Brocklehurst refrains from passing moral judgement on any of them, but makes clear how class, inherited beliefs and insecurity have constrained them all. There is hope, though, to be found in the younger generation.
By the final episode, Morin’s equation about attraction and excitement has come full circle, though the obstacle isn’t as insurmountable as it initially seemed. But at what cost? Those who have stuck it out will find plenty to chew over, though there’s little here that’s meatier than the tearful reckonings that follow a standard soapland showdown.
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