But what if young people immersed—so early in their lives, they can’t meaningfully consent—in a digital realm that stunts their growth outside it were no longer clamoring to see the constant barrage of text messages, push notifications, and social video they know so well represented on TV? What if, for a cohort whose approval of AI keeps declining and that made dumbphones cool again, the ultimate in escapist entertainment would be a show where tech was relegated to the margins, supplanted by face-to-face human connection in the natural world? In that case, the refreshingly old-school Prime Video teen drama Sterling Point might really hit the spot for Gen Z and their nostalgic elders.
From left Daniel Quinn-Toye, Bo Bragason, and Jacob Whiteduck-Lavoie in Sterling Point —PrimeAnnie gets a jolt in a new direction following the death of a grandparent she never met—Gordon, the father of her mom, who passed away when the twins were toddlers. Despite his estrangement from their family (according to Steven, he was a jerk), Gordon has left his grandchildren the island he owned in Canada’s beautiful Muskoka region, Sterling Point. A note enclosed with the will suggests that there are things Steven has been hiding from his children. So, self-sufficient Annie flies up to Ontario without telling her dad where she’s really going. A cascade of mysteries, revelations, and firsts, experienced under evergreen canopies and out on the rippling open water, her summer at Sterling Point changes her life.
Ella Rubin, left, and Amélie Elisabeth Hoeferle in Sterling Point —PrimePark takes her time bringing the parents’ generation into the frame, gradually revealing how many shocking secrets they’ve kept from their children. Some storylines can be soapy. The dialogue is occasionally stilted. Yet richly developed characters keep clichés from lingering. As in My Old Ass, the regrets of adults who erred mightily in their youth are poignantly contrasted with the brashness of teens who don’t know what they don’t know. There’s patience and, for all its jarring disclosures, gentleness in the way this story unfolds that are rare to see these days, not just in teen TV, but in any twist-happy streaming drama.
Sterling Point isn’t anachronistic or retrograde. Smartphones exist in its world, though they don’t often get service on the island. Queerness is no big deal. Rather, the show is a throwback in the sense that the characters spend most of their time just hanging out together, on a boat or at an outdoor movie screening, the way teenagers used to before their summers filled up with precollege programs, internships, schemes to become TikTok famous, etc. Romance happens through eye contact and heart-to-heart conversations; friends cry in each other’s arms. There are hints of Gilmore Girls in the show’s quaint setting and generational role reversal, traces of Dawson’s Creek in its adolescent earnestness. As Ellis tells Annie when she frets about having to break the habit of checking her phone in bed: “Once you get used to it, it’s kinda the best.”
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