The great news is that Andrew Lincoln (The Walking Dead, Love Actually) and Oscar winner Alicia Vikander – in her London stage debut – make for a phenomenal central pairing as a distinguished older man on his second marriage and an attractive younger woman on her first.
The in-the-round setting, and lighting changes hurtling us through changes of scene, means the momentum never slackens (Photo: Johan Persson)
The trouble with Stone’s updating of this story – of past loves returning to haunt current lives – is that he attempts to afford too many characters too great a slice of the dramatic action. The narrative becomes increasingly centrifugal, with Ellida struggling to hold the centre ground in the piece that bears her name. This is an immense pity, as Vikander gives a mesmerisingly twitchy performance as a woman living on her nerves, whose sinuous and twisting physicality expresses deep emotional unrest.
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Poor Joe Alwyn has drawn the short straw with the bewildering character of Heath, a distant cousin of Edward’s with a terminal illness and no discernible narrative purpose.
Nonetheless, Lincoln and Vikander keep us gripped as the implausibilities mount.
‘The Lady from the Sea‘ is at the Bridge Theatre to 8 November (bridgetheatre.co.uk)
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