"Godzilla Minus One" was already one of the best Godzilla movies, for the way it used the kaiju movie template to tell a story that was essentially a sweeping melodrama about surviving wars and other catastrophes. The announcement that it was going to be released in a black-and-white version was tantalizing, and the result is a thing of beauty. Written and directed by Takashi Yamazaki, who also oversaw the Oscar-winning special effects (one of the great recent examples of doing more with less; the movie's budget was a fraction of Hollywood blockbuster norms), it was one of a handful of giant monster movies that insisted that its human story was the true center of the experience and made
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