Rooting its vicious, survivalist thrills in the dog days of the apocalypse while acting as an epilogue to the Book of Revelation, director E.L. Katz’s “Azrael” terrifies by being both specific with its world-building and opaque at how its horrors manifested. Set “many years after the Rapture,” a brief intro text explains that, among those who have survived, some have been driven to renounce speech. In a forest littered with the last remaining vestiges of civilization (abandoned cars, building ruins) we meet the titular Azrael (Samara Weaving) on the run with her lover, Kenan (Nathan Stewart-Jarrett), only to be captured by the very mute zealots they were fleeing from. Communicating only
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