Cinema isn’t a science, but a number of political films are distinctly Newtonian: they contain equal and opposite forces, resulting in inertia. Adam McKay’s 2021 climate change satire Don’t Look Up blames the public’s disinterest in politics on its obsession with fame, all while flaunting a celebrity ensemble; this isn’t the gravest offense, but it calls the movie’s message and self-awareness into question. Gualtiero Jacopetti and Franco Prosperi’s 1971 Italian mockumentary Addio Zio Tom (Goodbye Uncle Tom), which seeks to lampoon American slavery, but does so by dehumanizing hundreds of poor Haitian extras on camera; a horrific hypocrisy. The list goes on. [time-brightcove not-tgx=
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