There once was a time when people from all walks of life, and any region of the country, would have known a little something about a world-class conductor and composer like Leonard Bernstein. You didn’t have to care much about classical music; you might have seen him on TV, being interviewed by Edward R. Murrow, or if you were a kid, you might have caught an episode of his Young People’s Concerts on CBS. You could be a plumber, or a plumber’s kid, and easily have some entrée into his rarefied world, and once you stepped in, you might be captivated by his urbane charisma, or flummoxed by his wily intelligence. In one of the Young People’s Concerts—you can watch it on YouTube—he waves
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