Sudanese director Mohamed Kordofani is speaking to journalists one by one at the Cannes Film Festival, on a sunny terrace in the majestic Palais des Festivals that overlooks a pavilion of yachts. He’s talking about the ongoing conflict in Sudan, his initial feeling of guilt – even discomfort – of being here in this prestigious film festival, while his countrymen try to flee and survive the conflict in Sudan. "It's so unfortunate that the announcement of the film [to be selected in Cannes] was just two days before the war broke. We didn't have time to really celebrate this" But mostly, Mohamed is here to discuss his already award-winning film, Goodbye Julia, the first
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