For around 654 years, Ancient Carthage was a prosperous city-nation on the Maghreb, a thriving seapower that the Roman Empire was determined to destroy. They succeeded in 146BC and today Tunisia hosts the architectural remnants of its Carthaginian ancestors with the addition of contemporary concrete ruins left behind by the last political regime. This is the backdrop of Tunisian writer-director Youssef Chebbi’s second feature Ashkal, a hardboiled crime drama co-written by François-Michel Allegrini and influenced by the 2011 self-immolation of Mohamed Bouazizi – the Tunisian street vendor who sparked a revolution that saw the removal of the corrupt President Zine El Abi
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