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The film begins with a mysterious comet causing the machines across Earth to come alive. An ATM gives King attitude in a memorable cameo from the writer/director. Gas pumps switch on by themselves. And everyday objects suddenly turn deadly.
View this post on InstagramReleased July 25, 1986, King adapted Maximum Overdrive from his short story “Trucks.” Despite the helmer being on top of the literary world after publishing bestselling novels including Carrie, Salem’s Lot,The Shining, Cujo, and Pet Sematary, the movie tanked. Critics panned the film, calling it “minimum moviemaking” and “maximum crap.”
According to Louder, King admitted that he had no idea how to direct a film. He also said he directed the movie while heavily using cocaine and alcohol: “The problem with that film,” King said, “is that I was coked out of my mind all through its production, and I really didn’t know what I was doing.”
“I’m not speaking out of class, because [King] knows it’s a terrible movie,” Estevez told the magazine. “The few times that I’ve connected with him over the years, he’s like, ‘Can you forgive me for that?’ I think at one point my mom said, ‘Why’d you do that movie?’ I said, ‘I wanted to work with Stephen King.’ And she said, ‘Couldn’t you have helped him paint his house?’”
At that time, the momentum Young and company built with For Those About to Rock (1981), Flick of the Switch (1983), and Fly on the Wall (1985) had cooled. So, the guys were looking for a creative jolt in the form of a comeback album, and the film collaboration with King gave them that opportunity.
For the new recordings, AC/DC reunited with original producers Harry Vanda and George Young, which proved to be a good move. “Who Made Who” was a hit, reaching No. 23 on the U.S. rock chart and No. 16 in the U.K., with its parent album spending 42 weeks on the Billboard 200, climbing to No. 33 here and No. 11 across the pond. The album was also their first Platinum-selling record in five years, per American Songwriter.
“While Maximum Overdrive may not be a great movie,” American Songwriter said, “combining Stephen King and AC/DC was a fiendishly fun concept that gave us some unexpected new music from the famed group.”
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