On the surface, Syrian-born poet Nizar Qabbani was either seen as someone who objectified women or as someone who was overt about sensuality. He was often labeled with many different titles; some have described him as a progressive Arab poet, while others have criticized him for moral degeneracy. But beneath all of these labels, not many have looked at his poetry through the lens of Qabbani as a ‘philosopher of love.’ His poetry did not merely portray love and sensuality as emotions to be experienced, but as human experiences worthy of contemplation. In his work, love becomes a subject of reflection, questioning, and philosophical inquiry. During the 20th century, at a time when speaking openly about sexual desire was forbidden, censored, or considered socially taboo, Qabbani revived the ancient artistic tradition of using coded and symbolic language. It was a communication tool used by artists and poets to express what could not be spoken openly, while also protecting them from the consequences of addressing taboo subjects directly. Of the many codes and symbols that have been used to express desire, the fruit is perhaps one of the most enduring….
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