"There is a hole in the world," writes Ursula K Le Guin in The Farthest Shore, "and the light is running out of it." Alas, The Farthest Shore contains no terrible mechanical instruments of hole-digging. For that, we must turn to MOLE, "a psychological horror experience with tactile simulation elements about madness, faith, and the depths we choose to dig".
Out now on Steam, it makes me think of Mike Klubnika's clicky torture instruments, of Iron Lung's unseen exteriors, and of Mouthwashing's workaday cabin fever. In brief, it seems like an effective delivery system for some extraordinarily bad vibes.
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