Despite now being considered a classic soft rock song,Electric Light Orchestra's (ELO) 1974 tune, "Can't Get It Out of My Head," never reached No. 1. According to American Songwriters, the song, off the beloved 1974 album Eldorado, did manage to land on the No. 9 spot on Billboard's Hot 100.
Far Out magazine reported that the track was penned by the band's vocalist and songwriter Jeff Lynne. According to the publication, Lynne shared that "Can't Get It Out of My Head" depicts "a guy in a dream who sees this vision of loveliness and wakes up and finds that he’s actually a clerk working in a bank" during an interview for VH1 Storytellers.
"And he hasn’t got any chance of getting her or doing all these wonderful things that he thought he was going to do," continued Lynne during the VH1 Storytellers interview, per Far Out.
Jeff Lynne Shared When He Knew ELO Had Become Successful
In a 2012 interview with Classic Rock, Lynne referenced that the release of "Can’t Get It Out Of My Head" and Eldorado marked the beginning of an era of mass popularity for ELO. While speaking to the publication, he said he believed ELO improved as a band "bout six months after" original member Roy Wood's 1972 departure. He explained that he and Wood weren't the best collaborators.
"We made the second album [ELO II], and that had [a version of Chuck Berry’s] Roll Over Beethoven on it. It went Top 40 in America. So suddenly we’ve got our foot in the door over there," said the guitarist, now 78, during the 2012 interview. "But I always remember my dad saying to me: 'The trouble with your tunes is they’ve got no tunes,' because he didn’t think much of my songs. So I thought, I’ll show ya. And I wrote 'Can’t Get It Out Of My Head,' a tune that was full of tunes. We put that on the fourth record, Eldorado, which sold half-a-million and went gold in America."
He also said he knew that ELO took off after he and his bandmates began playing American venues with "20,000-seaters."
"We were driving in a limo up La Cienega towards Sunset Boulevard, and there was this great big billboard that said ‘Welcome ELO,'" recalled Lynne. "I thought: “F--k, this is good.” The record label had put us to stay in the Continental Hyatt House, which used to be called the Riot House after John Bonham or someone rode a motorbike around the top floor. And there was another sign saying ‘Welcome ELO’ outside. That’s when I felt like we’d made it. But after that it just got bigger and bigger."
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