FILM REVIEWS
Hoppers review: Pixar’s latest doubles down on “friends not food” by Nell Minow
Andre Is An Idiot review: Irreverent biodoc urges you to get your colon checked by Marya E. Gates
The Bride! review: Maggie Gyllenhaal pieces together a fantastical creature feature by Tomris Laffly
Heel review by Jourdain Searles
Protector review: Milla Jovovich takes from ‘Taken,’ and it shows by Monica Castillo
Dolly movie review by Katie Rife
War Machine (2026) review: Netflix pits Alan Ritchson against a giant killer robot by Monica Castillo
Didn’t Die review: Zombie podcast movie is as dire as that premise sounds by Cortlyn Kelly
Pompei: Below the Clouds review: Gripping Vesuvius doc covers history in ash by Sheila O’Malley
TV REVIEWS
Vladimir by Sherin Nicole
“RJ Decker” Successfully Brings Whimsy to Network Procedural by Cristina Escobar
A Case of Identity Crisis: “Young Sherlock” Suffers From Too Many Ideas by Nandini Balial
Apple TV’s Tedious “The Hunt” Should Have Stayed on the Shelf by Lacy Baugher
HBO’s “Rooster” is Almost an Endearing Comedy by Jen Chaney
FEATURES
Introduction to Women Writers Week 2026 by Nell Minow & Chaz Ebert
Joan Cusack: Best Supporting Energy by Jen Johans
“The Bronze” at 10: How a Washed-Up Gymnast Became a Cult Antihero by Kristen Lopez
“Hush” is the Best Horror Movie You Probably Haven’t Seen by Scarlett Harris
The Artistic Exploration & Wit of Charli xcx by Cortlyn Kelly
Reflections on Nuremberg: Lessons on Evil by Anna Katz
Long Live Bonnie Bennett, the Real Star of “The Vampire Diaries” by Danielle Mathias
Skill and Dedication: Nelson Pressley on Fonda on Film: The Political Movies of Jane Fonda by Nell Minow
An Anatomy of a Fleece: Why “Heated Rivalry” Fans Have Latched Onto its Very Canadian Jacket by Michelle Jaworski
The Mysteries of Dorothy Vallens: On Isabella Rossellini in “Blue Velvet” by Willow MacLay
How “The Testament of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders by Miriam Balenscu
Across 50 Seasons, “Survivor” Reflects Evolving Views of American Women by Esther Rosenfield
Female Filmmakers in Focus: Grace Glowicki on “Dead Lover” by Marya E. Gates
All the Days of My Life: On Elaine May’s “A New Leaf” by Katie Rife
A New Cup of Tea: The Best Murder Mysteries You Haven’t Seen by Mira Singer
I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit” by Alisha Mughal
Whatever You Think of “Wuthering Heights,” We Need More Filmmakers Like Emerald Fennell by Lacy Baugher
To the Film Industry in Crisis, A Look Back At Hollywood In 1926 by Marya E. Gates
Monstrous Women: From Medusa to the Bride and Rumi Too by Sherin Nicole
Milestones of 1956: Looking Back at Hollywood 70 Years Ago by Laura Emerick
Dwight Cleveland on What Lobby Cards Tell Us About Film History by Nell Minow
Who Will Remember You?: “The Secret Agent” and the Humanities as Resistance by Daniella Mazzio
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