John Fogerty has spent more than half a century fighting for the music he wrote. The Creedence Clearwater Revival frontman signed early label deals that left him without control of his catalog, spent decades battling contracts he couldn’t undo, and only recently regained the rights to the songs that made him a rock icon. Now, at 80 years old, he’s finally getting his music back — and Taylor Swift couldn’t be happier for him.
During the Wednesday, December 10 episode of The Late Show, host Stephen Colbert brought up Fogerty and explained to Swift that he “lost his masters in the early ’70s and it kind of haunted him,” but had just regained ownership. Without skipping a beat, the 35-year-old pop superstar lit up and shouted, “Yeah! Let’s go, John!”
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Colbert, 61, said the Rock & Roll Hall of Fame inductee “was on the show the other day," and told him that getting his songs back felt “like I never lost them.” He then turned the question back to Swift, asking what it meant for her to finally reclaim her work after years of fighting for it.
The “Actually Romantic” singer didn’t hesitate. She said the feeling was “the same” for her, and admitted that before she won her battle, even hearing her own hits came with a "strange" emotional tug. She explained that she’d hear a song like “Ready For It?” blasting somewhere and think it “goes so hard,” but at the same time feel a pang because the recording wasn’t hers. “A recording is such a snapshot of where you are in your life,” she told Colbert.
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Swift went on to say she’s “stoked” about the re-recordings she’s done over the past few years, in part because she feels she actually improved some of the original performances. The whole process, she said, helped her reclaim not just the music, but the emotional weight tied to it. “Yeah. Congratulations to John, congratulations to me,” she added.
Someone stole his life’s work.So he spent a lifetime taking it back.John Fogerty was just a young adult when he wrote the songs that defined a generation.“Fortunate Son.”“Bad Moon Rising.”“Have You Ever Seen the Rain.”Hits that shaped American music forever. pic.twitter.com/wUjgFu7TDB
— John Fogerty (@John_Fogerty) December 8, 2025For those in the dark, Swift’s own battle over music ownership played out publicly over the past six years. She realized she didn’t own the master recordings for her first six albums after signing her original deal as a teenager, a contract that gave Big Machine Records control over how her early hits were used, licensed, and packaged.
When the label — and her catalog — were sold in 2019, Swift said she was blindsided and never given a fair chance to buy her work. The fight pushed her to re-record every album from scratch, a move that eventually paved the way for her to purchase the original masters in 2025.
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