James Bond fans can't possibly have hoped for much better news to wake up to than that which greeted them this morning.
Not only is there finally – finally – a concrete update on the long-gestating 26th film in the legendary spy franchise, but that update is the stuff of 007 fantasy: Denis Villeneuve, the Canadian auteur behind several of the most acclaimed big-budget films of the last decade, will be taking the reins of the next movie.
"I grew up watching James Bond films with my father, ever since Dr No with Sean Connery," the Dune director said in a statement officially announcing his appointment, going on to say that he was "a die-hard Bond fan" and that the character was "sacred territory" to him.
"I intend to honour the tradition and open the path for many new missions to come," he added.
The decision to hire Villeneuve – and the fact that he was so open to the gig – is one that seems likely to put a lot of fans' minds at ease, not just when it comes to the next film but also with regards to the more long-term future of the franchise.
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When Barbara Broccoli and Michael G Wilson announced they were stepping down from the franchise in February, taking control of the Bond films outside of their family for the first time in 007 history, there were understandably one or two concerns about what this might mean for the series going forwards – and such a high-profile choice of director will no doubt do a lot to assuage the worst of those fears.
For a start, having a filmmaker as celebrated as Villeneuve direct a Bond film is exciting in and of itself.
The Canadian – who has embarked on an incredible run of critical hits that includes the tense crime thriller Prisoners, the thoughtful sci-fi drama Arrival, and the epic, mind-blowing Dune adaptations – certainly brings a deal of prestige to a franchise that has always thrived on exactly that, while it's worth noting that he's also a master when it comes to directing big spectacle on a grand scale, a match for just about anyone currently working on that front.
But most crucially of all, at least as it pertains to Bond, Villeneuve proved with his 2017 effort Blade Runner 2049 that he can take existing classic iconography and put his own unique stamp on things while still pleasing fans.
In other words, he can freshen something up without losing the core of what made that thing so successful in the first place. You won't need to think too deeply to understand why that's a skill set which should come in very handy indeed when it comes to 007.
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Sense and Sensibility casts Daisy Edgar-Jones in new Jane Austen adaptationRichard Osman's Thursday Murder Club movie confirms earlier UK cinema release dateBeyond that, however, the news of Villeneuve's appointment is exciting when we think about the bigger picture, and what it means for the long-term future of 007 more generally.
The fact that new producers David Heyman and Amy Pascal have been able to persuade such an in-demand auteur – one who, let's face it, could make just about any film he wanted to right now – to take the job suggests that they've reassured him that they're willing to give him a certain degree of creative leeway.
Villeneuve wouldn't have signed on, surely, if he was expected to simply be a yes man duty bound to satisfy the demands of producers.
So, perhaps this all points towards a new regime that might be moving to a bolder, more director-led approach to 007 – with each new Bond flick affording a different big-name filmmaker the opportunity to put their own stamp on the most iconic of all film franchises.
That might be a lot to extrapolate from just one piece of news, but the signs are certainly positive – and at the very least this might rule out a return of the kind of debacle that saw Danny Boyle step away from No Time to Die due to creative differences.
There's a lot, of course, that we still don't know about Bond 26 – most significantly the identity of the actor who will finally be slipping into Daniel Craig's tuxedo.
But this morning's development is one that even the most negative Bond fan will find it difficult not to see positives in: a sign of a bold new creative strategy that could well prevent the franchise from going stale. Over to you, Denis.
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