It’s Time to Talk About the Oscar for Best Costumes ...Middle East

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It’s Time to Talk About the Oscar for Best Costumes
There are costumes whose details you can conjure in a heartbeat—Marilyn’s billowing white seashell of a dress, the moss-velvet gown Scarlett O’Hara fashioned from Tara’s drapes, Dorothy’s incongruously perfect pinafore-and-ruby-slipper mashup—and those that work more subtly, everyday-looking clothes that nevertheless help an actor think and move as they bring a character to life. It’s the flashier projects that are usually honored with Academy Award nominations—that’s just the way it goes. But all costumes, showstoppers or not, are integral to the power of movies. They’re the layer of meaning closest to the actor’s skin—the energy they conduct is an unspoken language. There are movie

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