Against the Big-Screen Beauty Contest ...Middle East

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Against the Big-Screen Beauty Contest
“If, approaching the end of the world, we’re forced to choose a single surviving monument to human art,” the author and critic Joanna Walsh writes in the opening lines of My Life as a Godard Movie, “it won’t be how any particular work of art looks, but the act of looking.” In this single-essay publication, and in a new volume of critical theory titled Girl Online: A User Manual, Walsh concerns herself with the reality of occupying a female body in a screen-dominated age when even civilians are obliged to be looked at as if they are actresses or models—when projecting a perfected image of oneself for an audience of total strangers is no longer the preserve of, say, Anna Karina in the films of

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