One of Rock’s Most Distinctive Voices, Inspired by Leonard Cohen, Turns 69 Today ...Saudi Arabia

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Few artists have spent nearly half a century making darkness sound quite as beautiful as Nick Cave.

Born Sept. 22, 1957, in Warracknabeal, Australia, Cave grew up in rural Victoria before emerging from Melbourne’s post-punk scene with the Boys Next Door, which evolved into the ferocious and influential Birthday Party. After that band dissolved in 1983, Cave formed Nick Cave and the Bad Seeds, beginning one of rock’s most enduring and continually evolving creative partnerships.

Today, Cave turns 69.

Long before he developed his own unmistakable baritone and songwriting style, Cave found inspiration in another famously dark-voiced songwriter, Leonard Cohen.

“The sister of my best friend told me, ‘I’ve got this new record you’ve got to hear, come around to my place and give it a listen,'” Cave told the Recording Academy in a 2024 interview. “She put on Songs of Love and Hate. The first song ‘Avalanche’ just blew my mind. The earned wisdom in that voice spoke to me in a way that no other music has ever spoken to me.”

Cave eventually created a musical world entirely his own. With the Bad Seeds, his songs have moved from the violent, feverish post-punk of the 1980s through murder ballads, blues and gospel to some of the most intimate examinations of love, faith, grief and mortality in contemporary rock. The band’s 1988 song “The Mercy Seat,” about a condemned man awaiting execution, became one of Cave’s signature compositions and was later covered by one of his own musical heroes, Johnny Cash, on American III: Solitary Man in 2000.

Cave’s creative world has rarely been solitary. He famously joined Kylie Minogue for 1995’s haunting murder ballad “Where the Wild Roses Grow,” which became the Bad Seeds’ biggest international single, reaching No. 2 in Australia and the Top 10 in numerous European markets. His collaborators have included PJ Harvey, Shane MacGowan and Cash, while his decades-long creative partnership with Bad Seeds multi-instrumentalist Warren Ellis has extended well beyond the band.

Together, Cave and Ellis have composed acclaimed scores for movies including The Proposition, The Assassination of Jesse James by the Coward Robert Ford, The Road and Lawless. Cave also wrote the screenplays for The Proposition and Lawless. His connection to cinema stretches back even further: German filmmaker Wim Wenders, an early admirer, featured Cave and the Bad Seeds performing in his 1987 classic Wings of Desire.

By the 2010s, Cave’s commercial success had caught up with his longstanding critical reputation. Push the Sky Away became the Bad Seeds’ first No. 1 album in Australia in 2013 and reached No. 29 on the Billboard 200. Three years later, the devastating Skeleton Tree climbed even higher in the U.S., reaching No. 27 — Cave’s highest position on the Billboard 200.

The honors accumulated as well. Cave entered the ARIA Hall of Fame in 2007, and Push the Sky Away earned Cave and Ellis the Ivor Novello Album Award in 2014. In 2017, Cave was appointed an Officer of the Order of Australia for his distinguished service to the performing arts and his contribution to Australian music and culture.

Yet Cave has never settled comfortably into the role of elder statesman. His music changed dramatically following the death of his 15-year-old son Arthur in 2015, with grief, faith and the possibility of finding meaning after catastrophic loss increasingly entering his work. After the tragedy, Cave received a note from Leonard Cohen himself.

“When my son died, out of the blue, Leonard sent me an email that said, ‘I’m with you, brother, LC.’ That simple, beautiful gesture helped me. For that kindness alone I owe him.”

That journey continued with the Bad Seeds’ 2024 album Wild God. Rather than retreating into darkness, Cave made a record filled with an almost defiant sense of joy and hope. Critics responded with some of the strongest reviews of his career: Wild God earned a Metacritic score of 89 based on 21 reviews, while The Guardian called it a “masterpiece” and praised its “radical optimism.” The album reached No. 66 on the Billboard 200, and Rolling Stone Australia gave it 4.5 stars and marveled at Cave’s longevity.

“At 66, Cave’s output is freakishly prolific, particularly when considering that as a young man with fierce hair and wild eyes, he wasn’t expected to see his prime,” noted the review.

And Cave remains a formidable live performer. Reviewing a 2026 Bad Seeds concert in Australia, The Guardian described an “electrifying crescendo of faith, fury and fragile joy,” nearly four decades after the band released its debut album.

At 69, Cave is still doing what he has always done: finding new, inventive ways to write about the oldest subjects imaginable — love and death, faith and doubt, sorrow and joy.

The darkness is still there, but these days, Cave seems increasingly interested in what might shine through it.

Related: 1988 Pop Song, Recorded in Berkeley, Became a Career-Defining No. 1 Hit

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