Egyptian screen icon Naglaa Fathi long epitomized unfiltered grace, maintaining the same untouched, youthful spirit that defined her breakthrough decades ago without relying on cosmetic enhancements or synthetic alterings.
Known off-screen by her birth name, Fatma al-Zahraa, the legendary actress endured a series of personal and health hardships over the past decade and a half.
Chief among them was a battle against a severe, rare form of psoriasis—a medical trial she met with remarkable resilience.
Fathi agreed to participate in European clinical trials for an experimental treatment, effectively acting as a pioneer whose successful recovery helped pave the way for other patients suffering from the condition.
However, her victory over the illness coincided with public controversy. Following media backlash and false reports surrounding state funding for her costly medical care overseas, Fathi and her late husband, renowned journalist Hamdi Qandil, publicly clarified that they personally financed the entire treatment protocol.
While self-funding her care, Fathi expressed deep appreciation for the Egyptian state’s moral support throughout her medical journey.
Fathi lost her husband, soulmate, and legendary journalist Hamdi Qandil eight years ago, entering a period of deep personal bereavement.
Her dedication to preserving his memory captured public attention when a viral photograph showed the veteran actress standing resolutely outside her Heliopolis residence.
Fathi stood beneath a newly restored plaque from the National Organization for Urban Harmony’s “Lived Here” memorial initiative, which honors Egypt’s cultural and intellectual luminaries.
The moment followed a high-profile incident in which thieves targeted the building entrance and stole the original brass commemorative marker honoring Qandil.
Refusing to let his tribute be erased, Fathi petitioned cultural authorities and pushed until the official memorial plaque was reinstalled at the doorstep of their longtime home.
Fathi is now experiencing deep sorrow following the loss of her only daughter, Yasmine, whose recent funeral service at the mosque saw chaotic media scenes.
In response, the family—specifically Yasmine’s father, Saif Abol Naga—decided to prohibit all photography and filming at the condolence service.
I hope her request is respected by everyone.
Fathi originally stepped away from acting studios in 2000, though she did not view the move as the end of her artistic career.
She pursued several projects, including a self-produced film intended to co-star Omar Sharif and be directed by Samah Anwar, who had formally studied filmmaking.
Despite holding multiple working sessions together, creative differences arose between Fathi and Sharif, halting communication and bringing the project to a complete standstill. Subsequent project offers failed to spark her interest.
Years ago, several websites published a recent photograph of the veteran actress.
Some expected the image to provoke sadness among observers tracing the effects of time, seemingly preferring she resemble certain older female stars whose faces appear decades younger through artificial means.
Contrary to those expectations, the photograph brought happiness to millions.
Fathi stepped away from public life in a quiet manner that reflects her personality—one that avoids noise and stays clear of any battle outside the artistic realm.
Over the course of her long artistic journey, Fathi frequently served on festival jury panels, demonstrating a sharp capacity for technical film analysis alongside her signature wit and quick intellect.
During daily gatherings alongside her late husband, renowned journalist Hamdi Qandil—in Cairo and Dubai while he hosted his widely viewed weekly show “Qalam Rasas” on Dubai TV—an agreement was forged to document Fathi’s life story across a 30-episode television program directed by Ali Badrakhan.
Initial structural planning for the series had already commenced, relying heavily on Fathi’s candor, humor, and extensive cinematic legacy.
However, the project was ultimately shelved before completion. The author refrained from pressing Fathi for an explanation, recognizing that as the originator of the idea, she maintained full discretion to withdraw from its execution.
Over the past decade, Fathi tightly closed her personal circle, limiting phone calls to a very small group of family and close friends. Respecting her decision, the author refrained from reaching out to avoid obligating her to respond.
Numerous film festivals both inside Egypt and abroad attempted to honor Fathi, but she firmly closed the door on public tributes. She has never denied her historic career—studded with dozens of artistic and social achievements—including humanitarian work that she consistently preferred to keep out of the spotlight.
Fathi is currently living through the peak of grief following the death of Yasmine, who was always the apple of her eye.
With unwavering faith in God and the warmth of love from millions of fans, Fathi continues to draw strength, carrying Yasmine’s memory deep within her heart.
Author’s biography:
Tarek al-Shenawy is a journalist, film critic, and professor of film criticism at the Faculty of Mass Communication, Cairo University.
He holds a Bachelor’s degree from the Faculty of Mass Communication in Cairo University, and a Bachelor’s degree from the Institute of Cinema.
Shenawy has won numerous awards for best critical article from the Syndicate of Journalists multiple times, as well as from film societies. He was awarded the title of Best Popular Film Critic by the “Der Giest” Association in 2015 – a title that has not been awarded to anyone since.
He has also chaired and participated in the judging committees of numerous international film festivals, including the Valencia and Dubai Film Festivals.
He began practicing film criticism nearly 35 years ago in the Rose al-Yousse magazine and continues to write a weekly column titled “Kalma we Nos” (Word and a Half) on its pages. He has written for numerous magazines, newspapers, and websites both inside and outside Egypt.
He currently writes a daily column in Al-Masry Al-Youm newspaper and a weekly column in Al-Sharq al-Awsat newspaper, and has published over thirty books.
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