With a sharp synth sound and a chant-like chorus, the track became one of the defining songs of the early ‘80s new wave era, despite never topping the charts.
But even as a family collaboration, there was nothing old-fashioned about the composition, leaning into an emerging synth-pop movement that was shaping British pop music.
It was one of the biggest-selling singles of the year, which propelled Wilde into international stardom seemingly overnight. The Guardian reports that it sold 60,000 copies in a day, a feat that made the people who regulate charts convinced it was a scam.
Wilde didn’t see that same instant success in the U.S., at least not initially, as the impact was more modest, though it would grow over time. The sins.e.t./ullstein bild via Getty Imagesgle was released in the U.S. the following year, in the spring of 1982, peaking at No. 25 on the Billboard Hot 100, staying there for four weeks.
Despite never reaching the top spot on the charts, the song’s legacy remained, lending itself to become an ‘80s anthem with the upbeat tempo, youthful energy, and instantly recognizable chorus.
Her father penned the lyrics focusing on the angst from generational divide, from the perspective of a young girl living through the chaos, previously telling The Guardian, “I’d seen this TV show about teenagers in America, which frightened the life out of me. It was like an X-rated movie. They didn’t seem to have any heart. I thought: “My God, what are they going to grow into?” It was probably how the older generation had looked on me and all the other early rock’n’rollers.”
Netflix’s animated series, Stranger Things: Tales From ’85, a spinoff of the mega hit Stranger Things, transports viewers back to Hawkins, Indiana, in 1985, largely through a curated ‘80s soundtrack, which boasts Wilde’s tune in the very first episode.
And it still feels as energetic and rebellious as it did in 1981.
Related: ‘Kids In America’ Singer Kim Wilde, 65, Looks Ageless on Berlin Stage in Black Denim and Bold Red Lip
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