Fair enough, you may first think. After all, she was portrayed by Hayden Panettiere in trashy Lifetime TV movie Murder on Trial while still holed up in an Italian prison cell.
However, Knox’s point is slightly undermined by the fact she’s also been able to directly tell her story on several occasions too. In 2013, she sat down with Diane Sawyer for a prime-time ABC News special. She talked directly to the camera in 2016’s eponymous documentary, an Emmy-nominated Netflix original which arrived during the burgeoning true crime boom. And she was reportedly paid $4 million for her first memoir Waiting to Be Heard in 2012, with a follow-up, Free: My Search for Meaning, published earlier this year.
And having spent four years locked up for a crime she didn’t commit, and a further four years before she was officially exonerated, no one can begrudge her any financial rewards either. But an attempt to dramatise her ordeal for the prestige TV age feels like one rehabilitative step too far.
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Why Disney’s Amanda Knox drama series is one of the only ways to provide its subject with vindicationPerhaps more unforgivably, The Twisted Tale appears to revel in the circumstances of Kercher’s death. The opening episode spends an interminably long time teasing the discovery of her body, heavily focusing on everything from unanswered phone calls to bathroom bloodstains to unnecessarily heighten the tension, as if we were watching the latest glossy all-star whodunnit rather than an all-too-real tragedy.
It’s a TMI approach which doesn’t exactly dispel the concerns that this is exploitation masquerading as entertainment. You can still sympathise with Knox’s plight while also recognising the show is inflicting yet more trauma on the Kerchers too. ("Our family has been through so much and it is difficult to understand how this serves any purpose," Meredith’s sister Stephanie has stated, not unreasonably.)
The complicated legal processes, multiple trials and machinations of Knox’s family life are all pored over at a glacial pace, ultimately meaning it’s difficult to pay attention to the facts which really do matter.
The Twisted Tale isn’t entirely without merit. Grace Van Patten, a late replacement for Margaret Qualley, may well pick up awards attention for a measured performance which nails Knox’s initial mix of confusion, grief and dangerous lack of self-awareness. She’s particularly captivating during the horrifying interrogation scenes that, largely due to numerous cross-cultural misunderstandings, saw her quickly spiral from star witness to prime suspect.
Furthermore, the show does gather a little more momentum once Knox is freed as she attempts to rebuild relationships with her devoted mom (Sharon Horgan, also impressive albeit struggling to hide her Irish accent) and stern dad (John Hoogenakker), get to grips with everyday life and, somewhat unfathomably, return to Italy to make amends with the man responsible for driving her incarceration.
"Some people will always define her by me and me by her. But the truth is we were just two girls at the start of our lives." It’s a poignant tribute, for sure, but one that could have been delivered without once again drawing attention to her harrowing end.
The first two episodes of The Twisted Tale of Amanda Knox are available to stream on Disney+ from 20th August with a new episode then dropping each Wednesday.
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