On May 26, India’s Prime Minister Narendra Modi congratulated filmmaker Payal Kapadia on the Cannes success of All We Imagine as Light, her drama slated for U.S. release on Nov. 15. Not only was it the first Indian film to play in competition at Cannes in 30 years, it also became the first to win the festival’s coveted Grand Prix, its ostensible silver medal. In his statement, Modi mentioned Kapadia’s graduate film school, the government-aided Film and Television Institute of India (or FTII), and the “rich creativity in India.” From a distance, it seemed like a bog-standard message of celebration and even institutional support. But a closer look reveals its hypocrisy, given both the
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