If you notice any aesthetic blemishes on the miniatures in director Adam Elliot’s stop-motion film “Memoir of a Snail,” just know they were left in intentionally. Elliot’s film is all about the importance of embracing imperfections and understanding how life’s tragedies may shape us, but don’t have to define us. This thesis is extended to the film’s gorgeously realized creative process. There are between five thousand and seven thousand snail-related items created for the film (that’s not to mention all of the other miniatures and models), and for all of them, Elliot implemented a “no airbrushing rule,” ensuring that the fingerprints, rubs, and bumps that come with the territory of animatin
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