Jack Antonoff’s penthouse-like studio space is a relic of pop music history. In a sunlit haven that leads to a sprawling roof deck, parts of Sabrina Carpenter’s Short n’ Sweet and Taylor Swift’s The Tortured Poets Department—and some of Midnights—took shape. In the live alcove, Antonoff made Lorde’s Melodrama and St. Vincent’s Masseduction. Behind a closed door across the floor, the second Bleachers album was mixed and Lana Del Rey’s 2019 track “Venice Bitch” was crafted. [time-brightcove not-tgx=”true”] Space is paramount to Antonoff. “I believe a lot in spaces,” he says, unwrapping a piece of Trident gum on the couch of his roof deck. “I move around and get inspired by space.
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