Is the success of Black Myth: Wukong a sign of China‘s grip on modern media or another symbol of hope for gamers? In all industries, there are companies that challenge the status quo. In gaming, this status quo seemingly revolves around DLCs, micro-transactions, season passes, and the general desire to make every game a live service. And that is what happens when the business of making an art form becomes a publicly traded company or is bought out by private equity – you’re here to make money for the shareholders, and very little else matters. It happens in gaming, in music, in film, and even YouTubers go through
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