Our fascination with crime is not new, as our columnist David Hepworth reminds us in this issue, referring to George Orwell’s essay Decline of the English Murder, written in 1946. But neither is television’s appetite for covering the crime beat. Of course, crime stories come in many guises, from cosy flights of fancy where no one dies horrifically and everybody gathers in the drawing room for a final reckoning over afternoon tea, to terrible accounts of the human cost of real-life murder. As our cover story suggests, there is a new crime wave unfolding on television in which female sleuths, often of a certain age, bring crimina
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