Comic books — that great gutter medium — have always been worlds of fads and crazes. Cowboys, cops, romances, and, starting in the late 1940s, horror. Publishers like EC, Avon, and Atlas churned out lurid tales of murder, betrayal, and inky gore for the next few years. And then, sweeping across the moors in 1954, howling dogs of American morality led by censorious psychiatrist Fredric Wertham drove the industry into a panic. Desperate to survive, publishers adopted the Comics Code, a strict system of rules describing what could and could not appear on the newsstand. Seemingly overnight, ghouls, creeps, slashers, and vampires were eradicated from the pages of the funnies, replaced by anodyn
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