When William Friedkin died in August at age 87, the affectionate accolades and tributes started pouring in, as was only right. His career had spanned more than 60 years, but the Friedkin film that lurks in the memory of almost everyone who has seen it is The Exorcist, from 1973, a somber, jaggedly effective work hailed by many as one of the greatest horror films of all time. Friedkin made only one Exorcist film, but in adapting William Peter Blatty’s 1971 best-seller, he’d unwittingly created a renewable resource. The Exorcist has spawned numerous sequels and imitators over the years (one of them, The Exorcist III: Legion, directed by Blatty himself), and it extends its long reach in
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