In his staggering 2012 film “Our Children,” Belgian writer-director Joachim Lafosse turned an unthinkable true-life tragedy — the story of a mentally ailing mother who, one hitherto ordinary afternoon, single-handedly murdered all five of her children — into deeply compassionate drama, focusing not on the lurid whats of the event, but its more intimate, less discussed whys. That approach again serves Lafosse well in “A Silence,” another solemn, upsetting domestic chamber piece that lightly fictionalizes and foregrounds the hidden, knotty familial tensions behind a headline-making scandal. In this instance, it’s one disturbing, high-profile court case that begets another, both connected by
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