Before cameras ever start rolling on a RadicalMedia movie, staffers are already busy strategizing about where it should eventually premiere. The company, which boasts “The Fog of War” and “Summer of Soul” among its many credits, routinely consults an exhaustive chart that lays out the deadlines to submit a movie to major festivals like Cannes, Sundance and Toronto. “There’s no guarantee that you’ll get invited, but it’s important to have a plan,” says Jon Kamen, CEO of RadicalMedia. “Each festival has their own unique personality that makes it the perfect fit for certain kinds of work.” In the case of RadicalMedia’s “Lil Nas X: Long Live Montero,” a documentary that follows the pop
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