In a sense, all of Emily Dickinson’s letters are “love-letters.” To her, little besides love, human and divine, was worth writing about, and often the two seemed to fuse. That abundance of detail—descriptions of daily life, clothes, food, travels, etc.—that is found in what are usually considered “good letters” plays very little part in hers. Instead, there is a constant insistence on the strength of her affections, an almost childish daring and repetitiveness about them that must sometimes have been very hard to take. Is it a tribute to her choice of friends, and to the friends themselves, that they could take it and frequently appreciate her as a poet’ as well? Or is it occasionally only a
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