“Golightly? Fuck Golightly,” Natasha Lyonne’s Nadia Vulvokov spits, standing in a library and rifling through the g’s. Anybody who mistook her character in season one of Russian Doll—with her lost cat, her love of nightlife, and her tireless conviction that to belong to another human being was a fate far worse than death—for a millennial update on Capote’s flighty, frothy Breakfast at Tiffany’s heroine ought to interpret this as a sly correction. Nadia, who does not go lightly anywhere, is and always has been an entirely new creation, a foulmouthed and hedonistic wit with the delivery of a 60-year-old chain-smoker.The show’s first season, which saw Nadia dying on the eve of her thirty-sixth
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