Who’s Afraid of Judy Chicago? ...Middle East

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Who’s Afraid of Judy Chicago?
“A great deal of hokey art has been made in the service of excellent causes.” Thus begins Robert Hughes’s pan of the feminist artist Judy Chicago in a December 1980 issue of Time. He was reviewing her massive installation, The Dinner Party. The work is a triangular dinner table set with 39 places; each of the embroidered place settings names a different famous woman from history (Boadicea, Elizabeth I, Margaret Sanger, Ethel Smyth). Each of their places is set with a golden chalice, a napkin, and a china plate 14 inches across decorated with vaguely vulval forms. Susan B. Anthony’s resembles a pink four-petaled flower; the Greek mathematician Hypatia’s is a design of swirling leaves in a sim

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