When a new West End production of Who’s Afraid of Virginia Woolf?, Edward Albee’s 1962 modern classic behemoth of a marital slugfest, was announced earlier this year, Gillian Anderson was quoted as saying that the role of Martha was one she had wanted to play “for decades”. Her patient wait for this juiciest of parts for a middle-aged actress has more than paid off, for she is wonderful in the ferocious/fragile role for which Elizabeth Taylor won her second Oscar.
Whether or not The Morning Show star Billy Crudup had been counting the years until he could get stuck into the personal and professional disappointments of Martha’s mid-ranking academic husband George is unknown, but the thrilling revelation is that Crudup is sensationally good as a man who looks as if he has had all the air let out of his tyres. I have been underwhelmed by Crudup’s previous two West End outings, not least the hugely disappointing High Noon earlier this year, but if he doesn’t scoop next year’s Olivier Award for Best Actor, I will be astonished.
When they were working together on the now-tarnished 2024 film The Salt Path, Anderson revealed her interest in this play to director Marianne Elliot, a woman who selects her quality projects with the greatest of care. Their inspired choice was to pick Soho Place, the West End’s newest theatre, as their venue, since Soho Place’s in-the-round auditorium offers a thrilling level of intimacy to this most brutal of domestic dramas.
So close are we to the action that we too feel like guests at the ill-advised 2am after-party drinks at George and Martha’s, in addition to the bright-eyed and bushy-tailed newlyweds Nick and Honey (Josh Dylan and Phoebe Horn, both wonderful). The former is a youthful new colleague of George’s at the small New England college of which Martha’s father is the all-powerful president.
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