Is the devil a woman? This was a question that often seemed to permeate some of the earliest Western and Egyptian films, reflecting the misogynistic anxieties surrounding a woman’s power in society and the things that societies have historically tried to control: female sexuality, independence, desire, and anger. In 1972, an Egyptian film was released titled Al Shaytan Imra’a (The Devil is a Woman, 1972), a title that itself speaks to the long-standing association between women, sexuality, and danger. Similarly, in Western literature and film, there is the recurring figure of the femme fatale: a sexually attractive woman who uses her sexuality to manipulate, seduce, or ultimately destroy men. Across these representations, female power is repeatedly framed by male directors as something dangerous, particularly when it exists outside the boundaries established by a patriarchal society. Yet, more recently, feminist horror films have turned this question on its head. Horror has become a medium through which filmmakers can illustrate what happens when women become monsters, and how their monstrosity can be read as a form of revenge for what they have been subjected to. Feminist interpretations reverse the traditional idea…
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