Richard Blade may have been the host of Sunday night’s Lost ’80s Live show at Los Angeles’ Greek Theatre, but he was also one of the biggest reasons the night felt like a trip back in time. The legendary ’80s DJ spent the evening introducing acts including The Untouchables, Big Country, The Icicle Works, Dale Bozzio and Missing Persons, while filling the spaces between sets with stories, memories and plenty of opinions about the music that defined the decade.
And honestly, Blade’s interstitials were almost as entertaining as the performances. With his unmistakable British accent and seemingly endless supply of ’80s stories, he brought his legendary countdowns to the stage, sharing his picks for the five best songs from each year of the decade and spilling the tea on some of the era’s most beloved artists.
He also had some very specific opinions, including his pick for the best bassline of the ’80s. His choice? Frankie Goes to Hollywood’s 1984 hit “Relax.” If there’s anyone who knows a great ’80s bassline, it’s Richard Blade.
Richard Blade Helped Bring British New Wave to America
One of the most enthusiastic champions of bands like Duran Duran, Depeche Mode, The Cure, Spandau Ballet, OMD and Tears for Fears, Richard Blade helped make British music mainstream in the ’80s.
Blade, with his bubbly British accent, popped into listeners’ radios and became as much a part of the story of ’80s music as the artists he championed. Never cynical or a harsh critic, Richard Blade was, at his core, always a fan of the artists he interviewed and whose music he played.
As a DJ for Los Angeles’ KROQ radio station, Blade helped many British new wave acts break through to American audiences. “Relax” was precisely the kind of British new wave record that defined the era Richard Blade helped bring to American listeners.
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Frankie Goes to Hollywood’s “Relax” Had an Unforgettable Bassline
@milliondollarempireFrankie Goes to Hollywood ‘ Relax ‘
♬ original sound – millionDollarempireReleased in 1984, “Relax” eventually reached No. 10 on the Billboard Hot 100 and was voted KROQ’s song of the year. The bass, played on the record by Mark O’Toole, helped create the song’s instantly recognizable groove, one that defines the track and extends throughout the song.
O’Toole’s thumping bassline, alongside singer Holly Johnson’s vocals, resulted in a track that sounded different from the mainstream pop playing on American radio at the time. “Relax” was electronic, aggressive, pulsing and impossible to ignore.
Frankie Goes to Hollywood pushed the envelope with its lyrics and sound in the 1980s, but the era is also defined by DJs like Richard Blade, who had a huge influence on the music Americans heard at the time. The music of the ’80s helped define youth culture, and there was no one more at the forefront of bringing British bands across the pond and into the mainstream than Richard Blade.
Richard Blade Is Still Championing ’80s Music
Judging by his endless anecdotes and fresh takes and rankings at Sunday’s Lost ’80s Live show, Richard Blade is still just as excited about the British wave of music from the 1980s as ever.
His insider assessments on everything from the best songs of the era to the best bassline of the ’80s are a reminder of just how good the music of the 1980s was—and still is.
Related: 1976 Dolly Parton Performance Was the Rare Time She Sang on TV With Both Parents
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