The Neal Agency’s Austin Neal leads the annual list honoring the top executives driving the success of the genre now across multiple industry sectors.
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Seth EnglandCo-founder/CEO, Big LoudPatch CulbertsonExecutive vp/GM, Big LoudStacy BlythePresident, Big LoudBrianne DeslippeSenior vp of marketing, Big LoudSara KnabeSenior vp of A&R, Big Loud
Scott BorchettaFounder/chairman, Big Machine Records/Nashville Harbor Records & Entertainment/Borchetta Entertainment GroupJimmy HarnenPresident/CEO, Big Machine Records/Nashville Harbor Records & Entertainment
Jake BasdenCEO, Blue Highway Records
Jon LobaPresident of frontline recordings for North America and South America, BMGJoJamie HahrExecutive vp of recorded music for Nashville, BMG NashvilleKatie KerkhoverSenior vp of A&R of frontline recordings for North America, BMGPeter StricklandGM, BMG Nashville
Ben MaddahiExecutive vp of A&R, Columbia RecordsJulian SwirskyExecutive vp, Columbia RecordsEvan HonorVp of commercial partnerships, Columbia RecordsAmy CollinsSenior director of A&R, Columbia RecordsNatalie LandsbergDirector of digital marketing, Columbia Records
Mike CurbChairman, Curb Records
GhaziFounder/CEO, EMPIREJennifer WayExecutive vp of Nashville, EMPIREEric HurtVp of A&R publishing, EMPIRE
Katie DeanLabel head, Leo33
Dean Chrissy Nix“I’m most proud of helping bring Zach Top’s sophomore album, Ain’t in It for My Health, to life and watching it all come together,” says Dean, who co-founded Leo33 in 2023.
“Our team was incredibly intentional at every step of the process, and you could feel that in both the rollout and the response.
“It was one of those rare moments when everything just clicked, and seeing it ultimately win the Grammy for best traditional country album made it even more special.”
Favorite musical moment: “C2C [the Country to Country festival] in London earlier this year.
“One of my first jobs in the business was at the [Country Music Association], where I worked as the international coordinator helping grow the global profile of country music. Watching Zach play a sold-out show at the O2 less than three years after signing him felt like a true full-circle moment for me, both personally and professionally.”
The greatest challenge facing country music now: “Managing the pace of the genre’s growth.
“With the recent surge in popularity, there’s been a lot more attention from the coasts, which is exciting, but it has also created unrealistic expectations around how quickly artists and audiences should develop.
“Followers don’t always translate to real engagement, and a viral moment isn’t a long-term strategy. The focus has to stay on building something sustainable, which is exactly [why] my team tries to keep our attention on the bigger picture.”
Mike HarrisPresident/CEO, MCADave CobbChief creative officer, MCARob FemiaCOO/executive vp of business and legal affairs, MCAKatie McCartneyExecutive vp/GM, MCAStephanie WrightExecutive vp/head of A&R, MCA
Tyler ArnoldChairman/CEO, Mercury RecordsAlex CoslovExecutive vp, Mercury RecordsJackson WeingartVp of marketing and digital strategy, Mercury Records
Heather VassarSenior vp of Nashville, The Orchard
Dan ChertoffSenior vp of A&R, RCA RecordsAaron SternVp of marketing, RCA Records
Barry WeissFounder/partner, RECORDS NashvilleJoe FisherExecutive vp of A&R, RECORDS NashvilleJosh EaslerExecutive vp of promotion and commercial strategy, RECORDS Nashville
Monte LipmanExecutive chairman, REPUBLIC CollectiveAvery LipmanVice chairman, REPUBLIC CollectiveJeffrey RemediosPresident/CEO, REPUBLIC Collective
Jim RoppoChairman/CEO, Republic RecordsMary Catherine KinneyExecutive vp of artist and label strategy, Republic Records
Taylor LindseyChair/CEO, Sony Music NashvilleKen RoboldPresident/COO, Sony Music NashvilleMargaret TomlinVp of A&R, Sony Music Nashville
Kevin HerringCo-president, Triple Tigers Records/Akando MusicAnnie OrtmeierCo-president, Triple Tigers RecordsGeorge CouriManaging partner/co-president, Triple Tigers Records
Herring Jesse LendzionFor Triple Tigers Records, the past year has brought “so many proud moments,” Herring says, “from watching Shane Profitt develop at radio to signing Ian Munsick. But the success of No. 1 singles in that time period has sure been a fun ride.” Ella Langley, the Columbia Records artist for whom Triple Tigers provided radio country promotion, has spent 10 weeks at No. 1 on the Billboard Hot 100 with her hit “Choosin’ Texas”; Russell Dickerson’s “Happened to Me” spent two weeks at No. 1 on the Country Airplay chart; “and top all that with Scotty McCreery’s [Country Airplay] No. 1 hit ‘Bottle Rockets,’ featuring Hootie & The Blowfish, the band’s first No. 1 single ever [on Country Airplay]. This will be a tough year to follow.”
Favorite musical moment: “Hard to choose one,” Herring says. “But I’d have to say, while driving to lunch one day with our vp of promotion, Raffaella Braun, I was emailed the first mix of ‘Bottle Rockets.’ Up until then I’d only heard the demo. When we both heard Darius [Rucker] come in on the chorus for the first time, I almost had to pull over. We both knew right then and there [that] we had something special.”
The greatest challenge facing country music now: “Personally, I think it’s not being afraid to be too country. Country is the business we are in and what attracts our core audience. It’s OK to step out a little — but two-step our ass back as soon as we can.”
Jesse MoravVp of A&R, UnitedMasters
Cris LacyChair/president, Warner Music NashvilleVictoria MasonExecutive vp of marketing, Warner Music NashvillePatrick SabatiniExecutive vp of WRN operations and business and legal affairs, Warner Music NashvilleKristen WilliamsExecutive vp of radio and commercial partnerships, Warner Music Nashville
Aaron Bay-SchuckCo-chairman/CEO, Warner Records GroupTom CorsonCo-chairman/COO, Warner Records GroupMiles GershExecutive vp of A&R, Warner Records
Bob DoyleCEO, Bob Doyle & Associates/Major Bob Music/Major Bob ProductionsMike DoyleManager, Bob Doyle & Associates
Simon TikhmanKevin “Chief” ZarukCo-founders/co-CEOs, The Core EntertainmentTracy MartinPresident, The Core Entertainment
Danny NozellCEO, CTK Entertainment
Austin RosenFounder/CEO, Electric Feel EntertainmentBobby GreenleafCreative director, Electric Feel Entertainment
Scott SimanPresident, EM.Co
Jeb HurtFounder, Floating Leaf Entertainment
Daniel MillerManager, Fusion Music/Red Light Management
Kerri Pauley EdwardsOwner/president, KP Entertainment
John MeneillyFounder, Left | Right Management
Chris KappyFounder/owner, Make Wake ArtistsJarrod HolleySophia SansoneManaging partners, Make Wake Artists
Kappy Kurt Ozan“We’re most proud of how the company has grown around the artists,” says Kappy, whose management firm represents Luke Combs, Flatland Calvary and The Castellows. “A major focus has been building out our internal infrastructure, including digital, label services, merch and PR. We want our managers focused on the artists, not buried in logistics.”
Favorite musical moment: “One moment that stood out was Luke Combs selling out three nights at Wembley Stadium” when tickets went on sale for this summer’s London stops on his My Kinda Saturday Night Tour. “Wembley is one of the most iconic venues in the world, and seeing a country artist not just play it but sell it out across multiple nights says a lot about how far the genre has come internationally,” Kappy says.
The greatest challenge facing country music now: “Balancing short-form momentum with long-term artist development. Platforms reward constant output that is great for exposure but exposure doesn’t guarantee a career. There’s constant pressure on artists to stay in a perpetual content cycle. The artists who last will be the ones who capture attention in the short term without sacrificing great songs.”
Clarence SpaldingChris ParrPartners, Maverick Nashville
Hayley CorbettManager, Megan Moroney
Corbett Courtesy of Hayley Corbett“I’m incredibly proud of Megan’s Billboard 200 No. 1 debut with Cloud 9,” Corbett says.
“The entire rollout surrounding the album was incredibly intentional and deeply fan-focused, and I’m proud of the campaign our team built. Every decision, from the visual world to the fan experiences and live moments, centered around Megan’s vision and the connection she and her fans have built together, ultimately helping her land the No. 1 spot.”
Favorite musical moment: “Megan’s surprise in-the-round show in Athens [Ga.] during the ‘9 Cities in 9 Days’ album campaign stands out as one of the past year’s most special musical moments.
“She sold out Akins Ford Arena performing the new album in a setting that felt intimate and centered around the music and the fans. Just three days after the album’s release, the crowd was unbelievably loud, with some of the most passionate fans I’ve ever seen screaming every word back to her from the moment she walked onstage.
“It wasn’t the biggest production or the largest crowd she’s played for, but it perfectly captured the heart of the Cloud 9 era and the connection Megan has built with her audience.”
The greatest challenge facing country music now: “Continuing to break down the perception that it exists separately from mainstream music.
“Over the last few years, the genre has grown tremendously and reached wider audiences than ever before. But there is still room for country music to be viewed on the same global scale as pop or any other major genre.
“The opportunity now is to continue evolving while still preserving the authenticity and storytelling that make country music so special.”
Clint HighamPartner/president, Morris Higham Management
Megan HindeBradley JordanManagers, Painted Rock Management
John PeetsFounder, Q Prime South Management
Matt GrahamCo-founding managing partner; head, Range MusicJack MinihanCo-founding managing partner, Range Media Partners/Range MusicJared CotterManaging partner, Range Media Partners/Range MusicAbas PautiArtist manager/vp of artist development, Range MusicShawn McSpaddenManaging partner, Range Music; GM, Range Music Nashville
Coran CapshawFounder/CEO, Red Light ManagementTom LordExecutive/manager, Red Light ManagementMandelyn MonchickZach SuttonManagers, Red Light ManagementEnzo DeVincenzoManager, Red Light Management/377 Management
Jason OwenFounder/CEO, Sandbox Entertainment
Ian ThorntonOwner/manager, WhizzbangBAM
Mary Hilliard HarringtonExecutive/manager, Wild Heart/Red Light Management
Danny KangStefan MaxManagers, Zach Bryan
Rakiyah MarshallFounder/CEO, Back Blocks Music
Brad KennardSenior vp of A&R, Concord Music Publishing
Stephanie CoxGM/senior vp of creative, Nashville, Kobalt Music
Rusty GastonCEO, Sony Music Publishing Nashville
Troy TomlinsonChairman/CEO, Universal Music Publishing Group Nashville
Austen AdamsPresident, Warner Chappell Music Nashville
Rich SchaeferPresident of global touring, AEG PresentsAdam WeiserSenior vp of global touring, AEG PresentsAmy BuckVp of marketing, global touring, AEG PresentsWeston HebertVp of global touring, AEG Presents
Stacy VeeExecutive vp, Goldenvoice
Brian O’ConnellPresident of country music touring and festivals, Live NationMilly OlykanSenior vp of global touring and artist development, Live NationTara TraubSenior vp of global touring, Live NationAaron SpaldingGlobal tour promoter, Live Nation
Louis MessinaFounder/CEO, Messina TouringMike DuganPresident, Messina TouringRachel PowersVp, Messina Touring
Patrick MooreCEO, Opry Entertainment GroupDan RogersSenior vp/executive producer of the Grand Ole Opry, Opry Entertainment Group
Moore Courtesy of Opry Entertainment Group“What we are most proud of at Opry Entertainment Group [OEG] is our expansion,” Moore says, “because it amplifies our ability to grow the genre by engaging country artists and fans wherever they might be.
“In just the last year, we celebrated the Opry’s 100th anniversary, added both music festivals and amphitheaters to our portfolio and announced new locations of our Category 10 and Ole Red brands with our respective partners Luke Combs and Blake Shelton.
“We now have a much more substantial footprint across the U.S., and I am tremendously proud of the team and what they continue to achieve every day.”
Favorite musical moment: “Watching the Grand Ole Opry: Live in London at Royal Albert Hall. We had so many terrific Opry members perform: Luke Combs, Darius Rucker, Ashley McBryde, Carly Pearce and Marty Stuart. The rehearsals were conducted at the world-famous Abbey Road Studios, and the performance itself was awe-inspiring.
“Seeing and hearing how enthusiastic the crowd was throughout an Opry show in London validated everything we know about the exploding popularity of country music worldwide. In fact, the fans were dancing in the aisles — something that the team at Royal Albert Hall had never seen before.”
The greatest challenge facing country music now: “As country music continues to gain in popularity through music streaming, we need to ensure it is easily accessible to these new fans through live performances, broadcast and other forms of media.
“That accessibility will expose these new audiences to more artists and more music, ultimately building long-lasting superfans that will engage across the entire country genre for a lifetime.
“This is a top priority for us at OEG, which is why we have invested in getting Opry content and shows distributed across the country and around the world.”
Jeff KronesHead of Nashville music, CAAMarc DennisChad KudelkaDarin MurphyMusic agents, CAA
Kyle CarterJoshua RittenhouseSenior vps of global touring, IAG
Austin NealFounder/co-head, The Neal AgencyAdi SharmaCo-head, The Neal AgencyRyan BeuschelGM, The Neal Agency
Neal photographed on May 6, 2026 at The Neal Agency in Nashville. Diana KingWhen Austin Neal launched his talent booking firm, The Neal Agency, in 2022, he faced a steep learning curve.
“It was like I was dropped into the ocean. I had to figure out how to swim,” he says with a laugh as he looks back on that daunting period. From his years as an agent at prominent country music booker Buddy Lee Attractions and WME, he knew how to book and route clients, but he had no clue about setting up his own company. “I didn’t know what I needed to do to form an LLC. My assistant at the time, who is now an agent with us, jokes that she walked into my apartment and saw Business for Dummies sitting on the counter.”
With a little aid from the instructional book, a much greater assist from lawyer Elliot Groffman (the powerhouse attorney who represents Dave Matthews Band, Phish and more) and a business management team that handled everything including setting up payroll, “it’s like I blinked and we had an office, a lot of employees and new artists,” he says.
Fast forward four years and, in addition to flagship client Morgan Wallen — who is performing double stadium plays in nearly every market on his current tour — Neal, 39, and his team have developed Riley Green (who Neal signed in 2017, when he started at WME), Ella Langley, Bailey Zimmerman and HARDY into arena headliners.
Read the full story on Executive of the Year Austin Neal here.
Jonathan LevineExecutive vp/managing executive, THE·TEAMShannon CaseySenior vp of fairs and festivals, THE·TEAMKeith LevySenior vp, THE·TEAMChappel McCollisterSenior vp of business development, THE·TEAM
Elisa VazzanaPartner/agent, UTANick BarnesAgent, Heartland, UTABrett SalibaAlec VidmarAgents, UTA
Becky GardenhireJoey LeeJay WilliamsCo-heads of Nashville office, WMEAaron TannenbaumSenior partner of country music, WME
Michelle Tigard KammererGlobal head of country music, Amazon MusicEmily Cohen BeloteGlobal lead of country music programming, Amazon MusicChris GrahamGlobal head of artist relations, Amazon Music
Madison HantenGlobal programming lead of country and Americana, Apple MusicKelleigh BannenHost of The Kelleigh Bannen Show, Apple Music CountryLaurissa PhillipsExecutive producer, Apple Music CountryTaylor EickenhorstHead of marketing for country music, Apple MusicSally SeitzHead of artist relations for country and Americana, Apple Music
Tim FoissetHead of label partnerships for Nashville and Canada, SpotifyJackie AugustusLead of country and folk for artist partnerships, SpotifyGemma McInturffLead of label partnerships for Nashville, SpotifyClaire HeinichenSenior editor of country, Spotify
Margaret HartHead of Nashville label and industry partnerships, YouTube/GoogleCopeland IsaacsonHead of Nashville artist partnerships, YouTube/Google
Damon WhitesideCEO, Academy of Country MusicTaylor WolfExecutive director, ACM Lifting Lives
Whiteside Katie Kauss“One of my proudest accomplishments was celebrating the 60th anniversary of the ACM Awards [in May 2025],” says Whiteside, who is leaving his post at the end of June.
“It was incredibly rewarding to take the year to honor the history and legacy of the show and reflect on what the ACM Awards have meant to the country music industry over the past six decades.
“I truly believe the 60th show was one of the best ACM Awards shows of all time because of the balance we were able to create between legendary artists, current superstars and exciting new acts.
“Having Reba [McEntire] return as host for the milestone anniversary and present the inaugural Alan Jackson Lifetime Achievement Award to Alan was also incredibly meaningful.
“I was also proud of how we celebrated songs of the year from each decade during the opening performance, which really showcased the lasting impact of country music across generations. The show was sold out, the response was amazing and it felt like a true celebration of the genre and its community.
“Beyond the awards show itself, the 60th-anniversary gala, ‘Play Something Country,’ was another major highlight. It was only the second gala we’ve ever produced, but it was an incredible success. Celebrating Brooks & Dunn with such an amazing lineup while also raising significant funds for ACM Lifting Lives, the philanthropic partner of the Academy of Country Music, made it an especially meaningful event.
“Looking ahead, another exciting milestone has been moving the ACM Awards back to Las Vegas. After such a historic 60th-anniversary celebration, returning to Vegas feels like going back to our roots and beginning a new chapter for the show while continuing to celebrate the foundation of the organization.”
Favorite musical moment: “Alan Jackson’s performance of ‘Remember When’ during the 60th ACM Awards. That song has always been incredibly emotional and timeless to me, and it felt like the perfect way to celebrate Alan’s extraordinary career.
“Knowing it would be the final song he performs on an awards show stage made the moment even more powerful. It felt deeply personal, full circle and incredibly poignant — not just for the academy but for country music fans everywhere. Being able to honor him in that way was truly special.
“Another moment I [was] especially excited about [was] Carter Faith’s performance of ‘Let’s Go to Vegas’ for the 61st ACM Awards. It’s a fun way to celebrate the show’s return to Las Vegas and capture the energy and excitement surrounding this new chapter for ACM.”
The greatest challenge facing country music now: “Maintaining its authenticity and strong sense of community during a period of rapid growth and crossover success.
“With so many cross-genre artists, musicians, producers and labels moving toward Nashville, the city has truly become a creative hot spot, which brings a lot of exciting opportunities for the genre.
“At the same time, it’s important to preserve what makes country music special and unique — the storytelling, the quality of the artistry and the genuine way it connects with audiences.
“Country music has always felt approachable and deeply rooted in fan connection and community. Nashville itself operates like a family, and that sense of community has always been a defining part of the industry.
“As country music continues to grow, the challenge is keeping that community strong while ensuring the music and artistry remain authentic. It’s about embracing new voices and growth while continuing to foster the connection between artists, fans and the broader country music community that makes the genre so meaningful.”
Lori BadgettDiane PearsonSenior vps/team leaders, Nashville, entertainment and sports banking, City National Bank
Sarah TrahernCEO, Country Music AssociationTiffany KernsSenior vp of industry relations and philanthropy, Country Music Association; executive director, CMA Foundation
Trahern John Russell/CMA“This year has been a meaningful period of momentum for CMA and for the genre,” says Trahern, who announced in January that she would step down from leading the Country Music Association after a 12-year tenure.
“We have made important, foundational decisions that will help shape the next decade, from reaffirming our long-term headquarters in Nashville to securing media rights agreements that create new ways for fans to connect with and experience our television shows.
“We are also navigating a thoughtful leadership transition as we begin onboarding my successor this fall, an important step in ensuring both stability and fresh perspective as CMA continues to grow and evolve.
“At the same time, we remain deeply committed to serving as a resource for the country music industry and the people within it. One area that feels especially close to my heart is our growing investment in mental health resources. Taking care of the entire country music ecosystem is essential to the long-term health of this industry. If we want country music to continue to thrive for generations, we have to support the people who bring it to life every day.
“Not to mention, we are on the horizon of two special milestones in the coming year — the 60th anniversary of the CMA Awards this November and the grand opening of the new Nissan Stadium in 2027, our host site for the nightly concerts at CMA Fest each year. Moments like this remind me how far the genre has come and the opportunity we have to continue shaping what comes next. It has certainly been an exciting year, and I am even more excited for what lies ahead.”
Favorite musical moment: “Over the past year, I have had several moments, especially during our Songwriters Series events, that have reminded me just how powerful country music can be.
“One that sticks out to me was a recent songwriters show in New York that featured Dierks Bentley, Karen Fairchild, Jim Beavers, Jon Randall, Charlie Worsham, Derek Wells, Priscilla Block and Matthew Ramsey. It was just a few voices, a few guitars, and it completely held the room.
“Experiences like that always bring me back to the heart of what makes country music so special: the storytelling. It also tends to send me back to songs and stories that I haven’t listened to in a while and helps me reconnect with the depth of a catalog.”
The greatest challenge facing country music now: “I would say country music’s biggest challenge is also its biggest opportunity. Country music today is less format-driven than it has been in the past, and that opens the door for the genre to exist across multiple platforms and alongside other genres in new and exciting ways.
“The challenge becomes how we embrace that growth while still maintaining a clear sense of identity.
“As country reaches broader audiences, it is important that we continue to champion the elements that define us — the storytelling, the authenticity and the connection to fans, while also welcoming innovation. If we strike that balance, we not only preserve what makes the genre unique but we expand it in a way that feels both organic and sustainable.”
Sherrese ClarkeFounder/CEO, HarbourView Equity Partners
Carter RobinsonFinancial advisor, Pinnacle Financial Partners
Jackie JonesSenior vp of artist and industry relations, RIAA
Mike SistadVp of Nashville membership, ASCAP
Clay BradleyVp of creative for Nashville, BMI
Shannan HatchSenior vp/head of Nashville creative, SESAC
Tim RobertsCountry format vp, Audacy
RJ CurtisExecutive director, Country Radio Broadcasters/Country Radio Seminar
Travis DailyVp of country, Cumulus MediaMike MooreOperations manager, Cumulus Atlanta; program director, WKHX (New Country 101.5) AtlantaMike PrestonProgram director, KPLX (99.5 The Wolf) Dallas-Fort Worth, Texas/KSCS (New Country 96.3) Dallas-Fort Worth, Cumulus Dallas
Rod PhillipsExecutive vp of programming, iHeartCountryBobby BonesVp/creative director, iHeartCountry; host of The Bobby Bones Show, Country Top 30 With Bobby Bones and Bobby Bones Presents: The BobbyCast; executive producer, Women of iHeartCountryGator HarrisonChief media officer on the Ministry Leadership Team, K-Love; former iHeartCountry brand coordinator; senior vp of programming, iHeartMedia Nashville; program director, WSIX (The Big 98) NashvilleJackie Tigue CaldwellSenior director of iHeartCountry artist relations, iHeartMedia
Johnny ChiangVp of music programming, SiriusXMJohn “Trapper” MorrisKathleen St. ClairProgram directors of music programming, SiriusXM
Contributors: Katie Bain, Eric Renner Brown, Anna Chan, Ed Christman, Hannah Dailey, Kyle Denis, Angel Diaz, Thom Duffy, Paul Grein, Lyndsey Havens, Gil Kaufman, Joe Lynch, Taylor Mims, Melinda Newman, Jessica Nicholson, Russ Penuell, Kristin Robinson
Methodology: Billboard executive power list honorees are chosen by our editorial staff with consideration given to industry nominations. For industry-sourced executive lists, nominations open no less than 150 days in advance of publication. A submission link is sent to all who request to participate in the power list process before the nomination period. (Email [email protected] for inclusion on the email list for nomination links and for how to obtain an editorial calendar.) Priority for the Country Power Players list was given to companies previously recognized on the Billboard Power 100. Priority for managers was given to those whose clients ranked highest on year-end artist and Billboard Boxscore charts and those whose clients are participants in the Country Power Players event. Honorees are chosen by editors based on factors including the impact of honorees and their companies on consumer behavior, as measured by year-end Billboard charts, sales and streaming performance, market share, revenue or, where not available, Billboard revenue estimates, which may be aided by company guidance, social media impressions and radio audiences reached, using data available as of Feb. 19. Career trajectory and momentum were also considered. Where required, U.S. record-label market share was consulted using Luminate’s current market share for albums, plus track-equivalent and streaming-equivalent album consumption and Billboard’s quarterly top 10 publisher rankings. Unless otherwise noted, Billboard Boxscore and Luminate are the sources for tour grosses and sales/streaming data, respectively. Luminate is also the source for radio audience metrics. The source for radio metrics is monitored station airplay from Mediabase provided by Luminate.
Executives on the RiseSeparate from Country Power Players, these five executives are designated by Billboard as up-and-comers to watch.
Mike GiangrecoPresident of A&R, Big Loud Publishing
Grace WatsonSenior director of streaming and revenue, Black River Entertainment
Sarah D’HillySenior vp of digital marketing and strategy, MCA Records
Nikki BoonArtist manager, Neon Coast
Brooke HardestySenior vp of digital marketing, Warner Records Nashville
This story appears in the May 30, 2026, issue of Billboard.
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