Bad Bunny's 'DtMF' Hits No. 1 on the Billboard Hot 100 ...Saudi Arabia

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Bad Bunnys DtMF Hits No. 1 on the Billboard Hot 100

Bad Bunny is celebrating yet another career milestone as his song "DtMF" (short for "Debí Tirar Más Fotos") just hit No. 1 on the Billboard Hot 100 chart, marking a major moment for the Puerto Rican superstar's solo career.

The achievement comes on the heels of one of music's biggest live stages—his Super Bowl LX Halftime Show performance in Santa Clara, California—which catalyzed a massive increase in streams, sales, and airplay across the U.S. and the world at large. In fact, streaming of Bad Bunny's songs spiked dramatically in the days leading up to and after the Super Bowl halftime show, with platforms like Apple Music reporting record-setting play counts for his songs.

    Related: Bad Bunny Sees 'Global Surge' After Super Bowl Halftime Show

    But "DtMF," which originally reached No. 2 on the Hot 100 in January 2025, didn't just climb the charts. It exploded to the summit in a single week, powered by the surge in consumption following the halftime show, when he closed with the song. It's Bad Bunny's first solo No. 1 on the Hot 100 and only his second overall after the 2018 hit "I Like It" with Cardi B and J Balvin.

    The song's rise is historic in another sense, too. "DtMF" is only the fourth all or mostly Spanish-language song ever to top the Hot 100, and the first by a solo artist in that category, joining classics like "Despacito," "La Bamba," and "Macarena." It's also the first Hot 100 No. 1 song with any portion of lyrics not in English since HUNTR/X’s "Golden," which includes sections in Korean.

    Bad Bunny's dominance extends far beyond "DtMF," however. He has placed multiple tracks at the top of charts, including "Baile Inolvidable," "Nuevayol," and "Tití Me Preguntó," which is a rare achievement that underscores his cultural moment and broad appeal.

    The success of "DtMF" also reflects how Latin music continues to break barriers in mainstream U.S. charts, not just as momentary phenomena, but as sustained, record-setting forces across both streaming and radio. Bad Bunny's achievement highlights both his global reach and the increasing influence of non-English music in popular culture.

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