By the late 1960s, The Beatles had begun to experience a myriad of issues that eventually trigger their breakup in 1970.
In spite of just how many problems the band was facing as they navigated their final years together, no issue more directly contributed to tensions within the band than the 1969 recording of "Maxwell's Silver Hammer."
An unconventional murder ballad that juxtaposes a light and upbeat tone with hopelessly dark lyrics, "Maxwell's Silver Hammer" was envisioned by writer Paul McCartney to be "my analogy for when something goes wrong out of the blue, as it so often does," according to MusicRadar.
Though McCartney believed the ballad possessed great artistic promise and personal meaning, the story of "Maxwell's Silver Hammer"'s recording has become the stuff of legend in the music industry.
Famously, every member of The Beatles save for McCartney hated the recording process behind the song, an issue further exasperated by McCartney's increasingly demanding perfectionism and the lack of obvious contributions from the musician's fellow band members.
"I hate it,” John Lennon bluntly said of "Maxwell's Silver Hammer" in a 1980 interview. “[McCartney] made us do it a hundred million times. He did everything to make it into a single and it never was and it never could've been… we spent more money on that song than any of them in the whole album."
Like George Harrison, Ringo Starr similarly agreed with Lennon's assessment, referring to "Maxwell's Silver Hammer" as "the worst track" The Beatles ever recorded.
"The worst session ever was 'Maxwell’s Silver Hammer,'” Starr remembered. “The worst track we ever had to record. It went on for f***ing weeks. I thought it was mad."
In the decades since, many different Beatles biographers have pointed to the issues present throughout "Maxwell's Silver Hammer"s recording process as the primary reason behind the band's inevitable dissolution.
"If any single recording shows why The Beatles broke up, it's 'Maxwell's Silver Hammer,'" wrote music historian Ian MacDonald in Revolution in the Head: The Beatles' Records and the Sixties.
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