The Problem of Art Without Men ...Middle East

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The Problem of Art Without Men
In 1917, the Metropolitan Museum of Art received a stunning gift: a portrait by the French Neoclassical master Jacques-Louis David. The 1801 painting, titled Marie Joséphine Charlotte du Val d’Ognes after its subject, depicts a woman hunched over a drawing portfolio in a darkened room, looking out at the viewer with a studious gaze. The work came from a collector who paid $200,000 for it, a huge sum at the time. The Met trumpeted the acquisition in a press release, announcing that it would “henceforth be known in the art world as ‘the New York David,’” and indeed the painting was beloved by both audiences and critics.Thirty years later, however, a problem arose. The art historian Charles Ste

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