Roger Ebert

Set in a future world where no one ages, there are no animals and precious few plants, Fleur Fortuné’s dystopian sci-fi drama “The Assessmen...

“Daredevil: Born Again” is uneven, but the ambitious nine-part series lands plenty of punches if you go in knowing that it positions comic-b...

On the surface, last year’s Oscar night that celebrated studio filmmaking with 7 richly-deserved Academy Awards won by “Oppenheimer” couldn’...

I first saw prolific director Joan Micklin Silver’s transcendent 1988 romantic comedy “Crossing Delancey” when it aired on TCM during their...

March is Women’s History Month—or is it? Has the current administration under President Donald Trump and Elon Musk cancelled Women’s History...

The world lost one of the best actors of his or any generation in February when Gene Hackman left us. He hadn’t worked in two decades, but i...

This third and final dispatch from True/False is one of those where the theme among the three chosen titles is quite explicit. These deeply...

Yesterday was unseasonably warm at True/False. Today, with the temperature, I am reminded that it is only March and l am still in the Midwes...

Here at True/False Film Festival, documentary as a form reigns supreme. Located in the Midwestern college town of Columbia, Missouri, True/F...