Plenty of Hollywood auteurs can claim a Freudian dimension to their work. But how many ever met the great man himself? When Oscar-winning director Billy Wilder was 19 years old, he was making a living in the rackety world of journalism in Vienna. He wrote for Die Bühne and Die Stunde, composing crosswords, squibs, columns, gags, movie reviews, theater reviews, interviews, anything and everything. In those days, his byline was Billie Wilder (he changed the spelling when he moved to Paris and decided “Billie” was a girl’s name); the surname was pronounced “vilder,” rhyming with “builder.”He haunted Vienna’s café scene and wrote in a snappy version of the distinctively European manner termed fe
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