We all have stopgap day jobs to pay the bills, but for Samuel L. Jackson, his was at night.
New York City in the late ’70s was the stuff of legend. It was gritty and raw. The Son of Sam had the city on edge, a blackout plunged neighborhoods into chaos, and the city was deep in a fiscal crisis. Yet punk, disco and hip-hop were all rising like a phoenix from the ashes. Before Times Square was cleaned up with chain stores and costumed Elmos, it was a world of late-night peep shows and colorful characters.
That’s the city where Jackson, then a struggling stage actor, punched the clock as a security guard at Manhattan Plaza, a Hell’s Kitchen complex built to house performing artists. Among its residents was an unknown comic named Larry David.
Blake J. Harris’ new book, Emperor of Nothing: The Making of Larry David, reveals the story, Entertainment Weekly reported. Jackson described Hell’s Kitchen at the time as the “Wild Wild West,” telling Harris, “Ninth Avenue was pretty much controlled by transvestite hookers. It’s kinda like, where the cops?!” Comedian Jim Vallely, who also lived in the building, said he felt safe with Jackson on duty. For Jackson, the overnight shifts added up to “a very vivid New York education.”
He’d talked about the job before. In a 2017 interview with The Columbus Dispatch, Jackson called it the only real job he’d ever had outside the theater, saying, “I punched a clock from 11 at night to 7 in the morning.”
View this post on InstagramIt’s hard to imagine now. David would go on to co-create Seinfeld and Curb Your Enthusiasm, and Jackson would become one of the highest-grossing actors in Hollywood history, with an Oscar nomination for Pulp Fiction and a long run as Nick Fury in the Marvel films.
But Jackson’s road to stardom wasn’t easy. He has spoken openly about his struggles with addiction during those years. In a 2019 interview with Esquire, he recalled how his wife and daughter found him passed out at home after a day of drinking and drug use. He entered rehab the next day. Later, he starred in Spike Lee’s Jungle Fever, which he described as the first film he made without using substances.
Decades later, the image of two future legends crossing paths in a Hell’s Kitchen lobby is very New York, and it’s a reminder that every big career starts somewhere, sometimes on the night shift.
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