In 1995, Ethan Hawke and Julie Delpy spent a night wandering around Vienna and created a screen romance that critics are still celebrating more than three decades later.
Before Sunrise starred Hawke as Jesse, a young American traveling through Europe, and Delpy as Celine, a French student he meets aboard a train. Directed by Richard Linklater, the quietly unconventional romance currently holds a 100% critics score on Rotten Tomatoes and appears on the site’s ranking of the 300 Best Movies of All Time.
The movie begins with an impulsive proposition.
After striking up a conversation on the train, Jesse convinces Celine to get off with him in Vienna, where he has one night to kill before catching a flight home. With no real itinerary, the two spend the hours before sunrise walking through the city and talking about relationships, family, death, dreams, and what they want from their lives.
“The movie’s about crossing paths with someone who needs the same thing you do,” Linklater told Interview Magazine. “The question is, could this really be something more, something bigger, eternal?”
The filmmaker drew inspiration from a real night he spent walking around Philadelphia with a woman he had recently met. Linklater developed the screenplay with Kim Krizan, creating a film in which conversation takes precedence over the dramatic twists usually associated with Hollywood romances.
Hawke and Delpy helped deepen that approach.
“The original script for the first film, Before Sunrise, was believe it or not kind of devoid of romance – even though Richard Linklater, the director, had based it on a woman he spent the night walking around Philadelphia with,” Delpy told The Guardian. “It was a great blueprint, but it was even more cerebral and talky. He was keen to capture something very true, so wanted the two leads to be writers on the film as well – and he auditioned us about what we wanted to say. I talked about some stuff that ended up in the film, about God existing in the space between people.”
Both actors contributed extensively during rehearsals as Jesse and Celine took shape, helping give their conversations an unusually natural rhythm. Hawke was in his early 20s when the movie was made, having already appeared in films including Dead Poets Society and Reality Bites, while Delpy had built a career in European cinema.
Before Sunrise wasn’t a blockbuster upon release. Its reputation instead grew steadily as audiences discovered the film and its deliberately unresolved ending.
Eventually, Jesse and Celine returned.
Linklater reunited Hawke and Delpy for Before Sunset in 2004, picking up their story nine years later in Paris. The trio collaborated again on Before Midnight in 2013, transforming one fleeting encounter into a trilogy that follows a relationship across nearly two decades.
“There’s something about the trilogy that feels finished to me,” Hawke told The Guardian. “Every time we make one of them, the stakes get higher. We wouldn’t want to pour any water in our beer. Which isn’t to say we couldn’t revisit Jesse and Celine; we muse on it sometimes. A fourth film would have to work in some way that broke the rhythm of this cycle, maybe to address mortality. But these three films have been a blessing in my life.”
Today, the original remains particularly acclaimed. Its perfect Rotten Tomatoes critics score and inclusion among the site’s greatest movies underscore how much impact Linklater created with a remarkably modest premise.
“It was really nerve wracking to do,” Hawke told The Independent. “It was scary. Rick [Linklater] was really interested in blurring the line between character and actor in order to give the film a subconscious. We put a lot of ourselves into those movies.”
More than 30 years after Jesse persuaded Celine to step off that train, Before Sunrise still captures the exhilarating possibility that a single conversation, or a single night, can change the course of a life.
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