The premise is simple yet ingenious: After years of being zonked out by iron wrecking balls, of having slingshots overshoot the mark not by feet but by miles, of having dynamite blow his face off, Wile E. Coyote, a longtime consumer of ACME products, has decided to sue the company that has caused him so much misery. He has used all that ACME stuff for one purpose only: to ensnare the object of his eternal salivation, the tufted blue-and-yellow speed demon known as the Road Runner, both uncatchable and unknowable. But now, it seems, enough is enough, and maybe ACME is the problem. Wile E. enlists the help of a law firm specializing in personal injury cases (it’s called Avery, Jones & Maltese, a nod to three of the Looney Tunes’ chief architects, Tex Avery, Chuck Jones, and Michael Maltese), and it's headed by Kevin Avery (Will Forte), whose specialty is getting settlements of a hundred bucks here or there from cartoon characters who have had limbs and such blown off—temporarily, thank god—by faulty products.
Forte as Wile E.'s lawyer —Courtesy of Ketchup EntertainmentCoyote vs. Acme was directed by Dave Green, whose highest-profile movie to date may have been 2016’s Teenage Mutant Ninja Turtles: Out of the Shadows. But his confidence sings here: to say Coyote vs. Acme benefits from a light touch may seem odd—this is, after all, a movie where heads are clonked with mallets and facial features are rearranged by malfunctioning explosives. But the spirit of Coyote vs. Acme is everything. The script was written by Samy Burch, James Gunn, and Jeremy Slater; the voices of most of the characters—including Bugs Bunny, as a trenchcoat-wearing informant, and Elmer Fudd, as an earnest senator in charge of questioning “Mr. Runner” during a hearing—are provided by voice actor Eric Bauza, who clearly aced his studies at the University of Mel Blanc. Forte makes a fabulous foil for his cartoon costars: he never tries to outdo them, preferring to bow to their lunatic majesty. He knows they’re what we’ve come here for.
John Cena and Tweety Bird —Courtesy of Ketchup EntertainmentCoyote vs. Acme is all about the little guys fighting, and winning against, a corporate behemoth. Could it be that Chuck Jones and his cohorts, by inventing a do-it-all, know-it-all company that could fulfill our every material desire, dropping off packages almost before we’d even placed an order, had in some cracked way foreseen the rise of Amazon? They probably couldn’t have imagined it, and it’s just as well, because the world they dreamed up—one of slapstick escape, of kerpow explosions that never did any actual harm, of faces and voices that we can summon in our memories as easily as those of our loved ones—is better than anything money can buy. In Coyote vs. Acme, the little guy wins, and we do too. Instead of being handed, in movie form, an exploding cigar that someone else thinks we want, we get the thing we didn’t know we wanted: a movie about a coyote, a bird, and a lawsuit, one that both speaks to our time and allows us, for the space of an hour or two, to escape it.
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