1983 British Rock Icon, Who Once Refused to Chase Fame, Now Decides Who Gets the Spotlight ...Saudi Arabia

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In 2026, the artists who get to perform on one of music's biggest stages are whoever Smith says they are.

That was the problem.

He meant what he said. The band didn't rush out a follow-up to chase clout. They refused to give the industry what it was asking for. And things fell apart, at least for a while.

Guitarist Simon Gallup quit the band after a falling-out with Smith. Smith himself briefly joined Siouxsie and the Banshees, after working with them in 1979. For a while, it genuinely seemed like The Cure might never exist again.

It looked, from the outside, like a band that had thrown away its own momentum.

From Resisting the Industry to Running It

After The Cure put out The Top on their own terms, Gallup came back, the band got back together, and The Head on the Door became one of their most beloved albums. Walking away from the pressure to churn out another hit didn't end The Cure. It made them who they became.

More than 40 years later, that same way of doing things is still shaping what Robert Smith does and who he gives a platform to.

Photo by Pete Still on Getty Images

"Teenage Cancer Trust does the most fantastic work, and it is a great honour and a real thrill to be asked to put together the 2026 shows at the Royal Albert Hall," Smith said. "I can promise it will be a very memorable week."

When Daltrey announced the handover, he called Smith "a true musical great" and said finding the right person to take over had been a challenge. "It has been a challenge to find the right person to take them on," he said. "But Robert, a true musical great, is the perfect person for the 2026 concerts."

The man who once said "We must resist" is now the artist setting the standard.

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