Then the audience scores, however, said something different.
The gap between what critics wrote and what audiences felt is wide enough to fly a Razor Crest through. At 64% on the Tomatometer versus 89% on the Popcornmeter, the film lands in familiar Star Wars territory; a franchise where the people who grew up loving these characters and this galaxy tend to experience the movies very differently than the press does. It happened with the prequels. It happened with the sequels. It is apparently a feature of this franchise's relationship with its audience.
What seems to be driving the warm response is actually the film's simplicity. Director Jon Favreau largely set aside the tangled mythology that weighed down Season 3 of The Mandalorian and built the movie around what the show always did best, spotlighting the bond between Pedro Pascal's stoic bounty hunter and a small green kid who uses the Force to steal snacks. Audience reviews on Rotten Tomatoes repeatedly praise the action, the emotional core, and Ludwig Göransson's score. Several note that the film works for families in a way few recent blockbusters have, something reflected in the exit data which showed unusually strong turnout among children under 13 and adults over 55.
Whether The Mandalorian and Grogu can sustain that goodwill through the summer will depend on word of mouth, and specifically whether the families and franchise loyalists who showed up this weekend tell their friends to go. The second-weekend hold will matter enormously. But right now, the story of this movie's opening weekend isn't what the critics said, it's what audiences decided.
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