Parts of Netflix’s Remarkably Bright Creatures, directed by Olivia Newman and adapted from Shelby Van Pelt’s 2022 novel, might have the same effect. Sally Field plays Tova Sullivan, an elderly widow who works nights as a cleaning lady at an aquarium on Puget Sound. Even though wiping away each day’s worth of schoolkid grime is hardly anybody’s idea of fun, Tova is OK with her job: nighttime solitude suits her, and she finds herself bonded with one of the aquarium’s star attractions, a wiseacre octopus named Marcellus.
Still, Marcellus is alive to beauty: he notes that the fingerprints schoolchildren leave on the glass of his tank are as “intricate as a moonsnail.” And as much as he'd like to deny it, he's sensitive to these humans who have made him their prisoner, and he’s deeply aware of Tova’s pain, in particular. He sees that she’s lost something, and he’s right. Her only child died years ago, and she still wonders if she’s somehow responsible for his death. She’s also facing a bewildering choice: before her husband died, he signed the two of them up for a space in a retirement community. For decades, she’s been living in an enviably cozy log cabin built by her father. Faced with the uncertainty of aging, she wonders if it’s time to leave her home behind, though we can see she doesn’t want to.
Sally Field as Tova with her octopus pal —Courtesy of NetflixFor an invertebrate, Marcellus is quite the busybody. And perhaps unsurprisingly, his hunch is correct: the story resolves itself in a small tidal pool of coincidence that’s highly implausible but also comforting. Remarkably Bright Creatures does sag a little when Marcellus isn’t on-screen: it’s mesmerizing to watch him flit through the water in his tank, his supple skin the striated red of an old weathered barn, his tentacled arms beyond balletic in their grace. And Molina’s voice-over is so convincing you come to believe you really are hearing Marcellus’ thoughts. Compared with that, the presence of mere humans can only be a disappointment.
Still, W.C. Fields advised against acting with children or animals only because he never met Sally Field. The list of characters she’s played over the years—from Gidget to Mary Lincoln—stretches behind her like a bright ribbon. But she knows how to be present in the moment, even when she's acting with an octopus, and she makes Tova’s suffering—and her preference for solitude—feel distinctive and lived-in. Pullman makes a perceptive, sympathetic match for her: you get the sense he pours more energy into listening than speaking. Remarkably Bright Creatures is a movie, like its cephalopod supporting star, with a gentle soul and an elusive spirit. It might not stick with you long, but it leaves a delicate print behind.
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